Most researchers agree that drama is a new art in the Arab culture, so the Arab world would not have known it in its various forms had it not been for the openness of Arab intellectuals to the Western world, with all its multiple colors of art, and the discovery of the works of giants of Western drama, like Molière. , Voltaire, Shakespeare, Henrik Ibsen, Antoine Chekhov, Samuel Beckett, Eugene Ionescu .... and others, where the translation of their works was the first sign of the entry of this culture to the Arab world.
Therefore, the dramatic translation is a channel that transmitted the masterpieces of Western drama to the Arab audience, who found himself facing an art that deals with life and reality on the rocks, but in a way that contradicts his privacy and identity, which prompted Arab creators later, to try to give their dramatic works the character of Arab identity and privacy, And in translating Western drama texts.
In the work of this forum, we will try to answer this problem about the conflict of dramatic translation and identity in the Arab world, within a group of important themes, all of which are in the depth of the topic of this forum, and which will be discussed within the scientific interventions of the participating researchers.
Forum axes:
 - Features of identity in theatrical translation
Theatrical translation between meaning and intellectual property protection
 Theatrical translator between the translation of the text and the receiving audience
 Cinema dubbing ethics
 Cinematic dubbing and its impact on the recipient's culture
 Sotrage in Cinema - Techniques and Objectives -
 Arabic experiences in dramatic translation